SHARE TWEET. 2018 saw the passing of a cinematography legend in Robby Müller, a regular collaborator of Wim Wenders and Jim Jarmusch, who with his work on “Paris, Texas,” “Down By Law,” “Dead Man” and Lars von Trier’s “Breaking the Waves” was responsible, perhaps more than anyone, for defining and expanding the aesthetics of the 1980s and 1990s […] The Best Cinematography of 2018 by Adam Chitwood December 20, 2018. IndieWire Best of 2018 More Cinematography is not a competition, nor is it a beauty contest, so boiling the years best work down to a simple ranking wasn’t an easy task.
As we continue our year-end coverage, one aspect we must highlight is, indeed, cinematography. "2018 saw the passing of a cinematography legend in Robby Müller, a regular collaborator of Wim Wenders and Jim Jarmusch, who with his work on "Paris, Texas," "Down By Law," "Dead Man" and Lars von Trier's "Breaking the Waves" was responsible, perhaps more than anyone, for defining and expanding the aesthetics of the 1980s and 1990s arthouse. The Best Cinematography of 2018. The Film Stage December 17, 2018 “A cinematographer is a visual psychiatrist — moving an audience through a movie […] making them think the way you want them to think, painting pictures in the dark,” said the late, great Gordon Willis.