The Groundbreaking Ethnography of Jean Rouch Concluding our Jean Rouch series is this lively portrait of a young woman navigating the constant advances of men on the streets of Paris. Stoller, Paul “The Cinematic Griot: The Ethnography of Jean Rouch” University of Chicago Press, 1992.
In such acclaimed works as Jaguar, The Lion Hunters, and Cocorico, Monsieur Poulet, Rouch has explored racism, colonialism, African modernity, religious ritual, and music.

Jean Rouch When asked by Robert Gardner, on his TV interview program “Screening Room,” whether he primarily considered himself a filmmaker or an anthropologist, Jean Rouch gave a customarily playful answer. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropology. The Cinematic Griot: The Ethnography of Jean Rouch. In particular, he learned from his mentor the importance of spending a painstaking amount of time in the field, and of familiarizing himself as fully as possible with people in their context. Definitions of … The army, Verdun, France, honor, Cine-Ethnography is a long-overdue English-language resource that collects Rouch’s key writings, interviews, and other materials that distill his thinking on. By examining Rouch’s neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker’s true place in anthropology. Ciné-Ethnography is a definitive collection on the work of Jean Rouch. Ethnography has a long affair with cinema, from Robert Flaherty’s seminal Nanook of the North (1922) to the experimental Leviathan (2012), and one of its most important practitioners, influencing the likes of Werner Herzog and the French New Wave, is director Jean Rouch. Free delivery for many products! *FREE* shipping on qualifying offers. In the summer of 1960, Rouch and sociologist Edgar Morin shot Chronique d’Un Ete’ (Chronicle of a Summer), a film dealing with Parisians’ thoughts and feelings at the end of the Algerian war. Search for Library Items Search for Lists Search for Contacts Search for a Library. The son of a meteorologist, oceanographer and writer, he grew up in a family of scientists, artists and adventurers.

Everything that my generation learned during the previous twenty years was revealed to be an illusion in just one month in May 1940.

The most prolific ethnographic filmmaker in the world, a pioneer of cinéma vérité and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversial and often misunderstood figure in histories of anthropology and film. Rouch’s innovative approaches effected more than anthropological film. The cinematic griot : the ethnography of Jean Rouch. Rothman, William, Jean Rouch as Film Artist, in William Rothman, Tuitions and Intuitions: Essays at the Intersection of Film Criticism and Philosophy, State University of New York Press, 2019, 203-332. The most thorough resource on Rouch available in any language, Ciné-Ethnography makes clear this remarkable and still vital filmmaker's major role in the history of documentary cinema.

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Although used to travelling from an early age, he was first attracted to the hard sciences and joined the Ecole Nationale des Ponts et Chaussées, where he graduated as a civil engineer in 1941. Jean Rouch is among the most important filmmakers whose work has been devilishly hard to track down.

Adams, John W. “Jean Rouch Talks About His Films to John Marshall and John W. Adams,” American Anthropologist 80:4.

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